Productivity, Process, and Progress

Overcoming the Creative Roadblocks

In recent years, the non-fiction aisle has been flooded with books promising to unlock greater productivity, efficiency, and mastery over your time. The message is clear: we’re obsessed with doing more, better, and in less time. Yet, modern work often feels like an endless juggling act. Remote meetings blend into Slack conversations, toggling between twenty open browser tabs, replying to emails while searching for attachments that seem to have vanished into the ether. Amidst all this chaos, we schedule carpools, pay bills, and handle life’s demands.

We know context switching is a productivity killer, yet most of us do it all day, every day. Is there a better way? Can we allow ourselves to focus on just one task at a time?

The Mental Overload of Modern Life

Did you know we have up to 60,000 thoughts per day? Astonishingly, 95% of them are repeats from the day before, and up to 80% can be negative. The mental chatter is relentless:

“I don’t want to sit through this boring meeting.”

“Why can’t I remember my password?”

“What’s wrong with me? I’ll never finish this project.”

It’s no surprise we feel drained. Research suggests that multitasking can double the time it takes to finish a task and increase error rates by up to 50%. Yet we still do it. Why? Often, it’s a form of procrastination.

The Procrastination Trap

When faced with a big, daunting task, we tend to start with smaller, less important ones. The logic? Crossing a few things off our to-do list will give us the momentum to tackle the big one. But those smaller tasks often snowball, leaving the real priorities untouched.

Strangely, the tasks we procrastinate on are often the ones we care about the most. They’re the big-ticket items:

“Finish novel.”

“Record podcast.”

“Launch business idea.”

Why do these tasks linger on our to-do lists, haunting us year after year? The fear of failure, inadequacy, or unmet expectations often paralyzes us. We avoid starting because starting means committing.

Decision Paralysis: The Creative Killer

At the heart of procrastination lies decision paralysis—the overwhelming anxiety of choosing a path when the outcome is uncertain. Creative work, in particular, requires countless micro-decisions, each one stacking atop the last. It’s exhausting, especially when you don’t have all the information or can’t see the full picture.

In the past week alone, I’ve felt this paralysis:

• Trying to design the weapons and landscape for a futuristic battle scene.

• Deciding on a side character’s name and backstory.

• Figuring out how to cancel a mysterious streaming subscription no one in my family seems to use.

• Connecting a Roland synthesizer to my computer.

Each of these required more steps than anticipated. What I thought would take two steps ballooned into five—or seven. Frustration mounted, inertia set in, and progress ground to a halt.

Overcoming the Roadblocks

The solution is both simple and maddeningly slow: focus on one task at a time.

• Commit fully to solving one problem.

• Resist the urge to think about what else you “should” be doing.

• Accept that progress will take time and energy.

It’s not glamorous, but it works. The real win is learning to celebrate the small victories along the way. Solving a major roadblock—whether it’s figuring out a plot point, finishing a sketch, or debugging code—is just as important as crossing the finish line.

Step-by-Step, Detail by Detail

Creative work isn’t about monumental leaps forward; it’s about methodically tackling each step, each detail. The key is to fight the temptation to judge yourself for “not making progress” and instead focus on what’s in front of you.

This is advice I need as much as anyone else. Finishing creative projects always takes more time, energy, and mental effort than expected. But every step forward—no matter how small—is still progress.

So, to anyone feeling stuck on a creative project this week: hang in there. Celebrate your wins, however minor they seem, and trust that every detail you solve brings you closer to the finish line.

You’ve got this.

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🎯 2025 Creative Goals ✍️🎨

As we step into 2025, I’m hoping for a year filled with creativity and completed projects.

Reaching my objectives requires a disciplined approach, meaning I need to work consistently while simultaneously combating my tendencies toward procrastination and perfectionism, which often slow my progress. Juggling a full-time job, two kids, a seriously ill parent, and possibly ADHD will be a challenge. What’s my plan? I’ll use this space for weekly accountability updates. Beginning today!

Here’s what I’m working toward:

🎨 Daily Drawing Practice

• Devoting 1 hour every day to drawing.

• Completing 1 full illustration every week.

📚 Writing & Editing Goals

• Writing and editing 25,000 words per week.

📖 Projects to Complete & Share

1. These Bubbles Are Forever

• Illustrate all 35 images for this picture book.

• Submit the manuscript and illustrations to agents/publishers.

2. Madi and the Moon

• Finalize this MG fantasy (65-70k words).

• Query agents and publishers.

3. Mirror Quartet (Adult Epic Fantasy Series)

• Complete and self-publish the first two books (200k-250k words combined).

It’s an ambitious plan, but one fueled by passion and purpose. Each of these projects represents a piece of my heart, and I’m determined to bring them into the world.

What are your creative goals for 2025? Let’s dream big together! ✨

Art4Accountability / September 2023

Focusing on the Making

The Fall is a tough time for me. 

It's the anniversary of my brother's death, and always brings back difficult memories.

At the end of August, there was another sudden death of a young person in our family which has had me very depressed. 

There are no words for losing a child or young person. It is not in the natural order of things. 

Creating has provided me with hope when I thought there was none. At some fundamental level, it is all we have in the face of loss, despair, and grief. 

Emily Dickinson wrote that depression is 'a funeral in the brain', and it does feel like that. 

Art, and I know the word is problematic, is shorthand. The word is overloaded. It conjures up too many disparate notions - most associated with 'works of art' - a Picasso painting, a Victor Hugo novel. Behind it is a snobbish assumption that something must be 'good enough' to be considered 'art'. 

But, for me, art is simply creating, making the intangible tangible. It is a process, not a product. Art, for me, is about the making itself. 

For many, this might sound like nonsense. 

We live in a performative culture; the assumption is that if we're creating anything, it must be, at some level, for others. The first thing that happens when you sit down and draw is, invariably, that someone comes and stands over your shoulder and says, 'That's so pretty.' or 'What is it?' or 'That's ugly.' 

People judge, they can't help it. 

In A History of Six Ideas (1980), Polish philosopher and art historian Wladyslaw Tatarkiewicz pointed out that there was no distinction between artist and artisan initially. Those who made art were people who worked with their hands. They were laborers. The Latin ars and Greek techne evoked the skill needed to create an object. 

This changed in the 19th century, according to Tatarkiewicz, when art, notably paintings, became a store of value, objects worthy of investment. At this point, the 'artist' needed to be delineated from the artisan; high 'art' required separating 'mere' labor, i.e., artisanal work, and 'Art' with a capital A. 

Today, it's easy to forget that when you create anything, it is fundamentally a process. You are transforming the abstract - a thought, feeling, memory, or idea - into a concrete object that can exist outside your mind. 

It is a process that demands skill, patience, hope, and, sometimes, blind obsession. 

Judgment kills that. The analytical mind can shred a kernel of inspiration to nothing.

It's too easy to forget the enormity of the act of creation. It is too easy to get caught up in whether whatever we've made is 'of value' or 'good enough.' 

Over the past four years, I've put a lot of time and energy into external validation, into making sure what I was creating was 'good enough', which I now realize has nothing to do with why I create and is essentially out of my hands. 

I know I would write stories, draw, and play music regardless if anyone else ever knew. Sometimes, I imagine I'll die with a drawer full of stories, and the thought doesn't scare me. 

Stories are how I make sense of the world. Drawing calms me down when my mind won't stop. Music soothes me when I'm too sad to speak and don't have any words to say. 

My focus for the last quarter of this year will be getting back to focusing on the making, on the process of creating, rather than the result. 

Art4Accountability Update: 

I'm glad my work project is coming to an end this week. 

While I've learned a lot over the past month, I admit I'm exhausted and depressed. While I did get through Fairy Tale, and the EoE draft this month, I still have to finish the YA Horror WIP and the five illustrations - which I'm pushing to Q4. 

I plan to take more time over the next quarter to focus on writing and (hopefully) drawing and reconnecting with what's truly important to me. 

I wish you all the best over the next month. 

Take care of yourselves. Life is short. 

Art4Accountability / August 2023

Seeing the Forest for the Trees

It's already September; where did the summer go?!

So, August…yeah, I wandered into the forest, got lost, and am now trying to find my way back.

A few excuses - I started a new job, got distracted by two books not on my TBR, and got bogged down in editing hell. All to say, I haven't exactly progressed as much as I'd hoped towards my Q3 goals this month.

Staying focused and on task is one of my biggest challenges, so these Art4 Accountability posts will hopefully help me to get back on track when I wander into the woods.

In August, my attention was a bit all over the place - work, editing, music, family responsibilities and new books. On the positive side, there were a number of (unplanned) things I learned over the past month, which I'm planning on posting about over the next few weeks. On the other hand, I realise I probably won't complete everything I’d hoped to by the end of Q3.

I’m aiming to prioritise writing over the next month, then the TBR, so I think the illustration goal will get pushed into Q4. Perhaps that makes more sense and I should really give it the time and energy it deserves rather than trying to squeeze it into 15 minute sessions at the end of a long day.

I think positive momentum is key to growing, so, I’m focusing on what I learned and accomplished this month. These include:

  • Drafting and editing the last section of EoE book 2. Now the exciting final big edit starts with my co-author Sara, where we can draw all the threads together. We aim to have the book done and edited by November for a Kickstarter launch in December. 

  • Drafting about 35k of YA Horror. It's not quite where I'd hoped I'd be by the end of the summer, but it's a start. I aim to write and edit another 35k this month (ambitious, I know). I think this will mean I'm going to have to push the illustration goals to next quarter, but, hey, sometimes things just take longer than expected. 

  • Reading two books I enjoyed, (even if they were not on my TBR). Lightbringer, a doorstop of a book (and the latest in the Red Rising Series), and Yellowface, which I'm reading with my lovely group of writerly book club friends. 

  • Learning new skills in: Adobe Illustrator, InDesign, formatting, Prologic, Video editing, as well as stumbling on a number of useful tools for creatives.

Still hoping to make a dent in my Q3 goals this month, so in September, I'm hoping to:

  • Read She is a Haunting

  • Read When Women Were Dragons

  • Finish the YA horror MS (draft another 35k + edits on full 70k). 

  • Write up what I learned in August (above) as blog posts 

  • Maintain a better work-life balance and find more time for writing  

  • Walk daily 

  • Sleep more

  • Reduce caffeine and sugar

There we go, that's it!

August was a productive month in its way, just not in any way I'd planned. 

A few great stories and series I've enjoyed over the past month:

  • Lightbringer - Pierce Brown

  • Yellowface - R.F. Kuang

  • Foundation (Apple TV) (still watching)

  • Invasion (Apple TV) (still watching)

  • Good Omens 2 (Amazon Prime) (still watching)

  • Witcher Season 3 (Netflix) - I was pleasantly surprised! 

For those of you, like me, who hope to get back to a regular writing routine in September, I recommend the following music to get you in the mood to write epic battle scenes, tragic love stories, or eerie gothic mysteries. Enjoy!